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Article | 30-November-2018

Il volo: Wim Wenders’ short documentary on hybrid space in Calabrian shrinking cities

typically associate with nonfiction or documentary such as location shooting, nonfactors, hand-held cameras, improvisation, found footage (footage not shot by the filmmaker), voice-over commentary, and natural lighting. The boundary between the two realms is highly fluid but, in most cases, still perceptible. (Nichols 2012, p. xi) That type of fluctuating separation between contemporary fiction film and documentary filmmaking is epitomised by Wim Wenders’ Il volo (2010), the short documentary film on

Inge Lanslots

Borderlands, Volume 18 , ISSUE 1, 133–145

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